Showing posts with label Music-Metal. Show all posts
Showing posts with label Music-Metal. Show all posts

Saturday, 10 March 2012

Judas Priest

JUDAS PRIEST


   Judas Priest are an English heavy metal band from Birmingham, England, formed in 1969. Known for a twin lead guitar style, a wide operatic vocal style, and for introducing the S&M leather and studs look into heavy metal, they have sold over 50 million albums worldwide.

   After an early career as a secondary act dogged by unsympathetic producers and lineup changes, the band found considerable commercial success in the 1980s. In 1989, they were named as defendants in an unsuccessful lawsuit alleging that subliminal messages on their albums had caused the suicide attempts of two young men.

   The band's membership has seen much turnover, including a revolving cast of drummers in the 1970s, and the temporary resignation of singer Rob Halford in the early 1990s. The current line-up consists of lead vocalist Rob Halford, guitarists Glenn Tipton and Richie Faulkner, bassist Ian Hill, and drummer Scott Travis. In 2010, the band announced a farewell tour, with a projected retirement in 2012.

   Judas Priest have influenced some metal music since the late-mid 70s either directly or indirectly. They were named the 78th greatest artist of all time by VH1 in 2010 and 2nd Greatest Metal Band by MTV (after Black Sabbath). Slayer acknowledged their devotion by covering "Dissident Aggressor" (Sin After Sin) on their album South of Heaven.

   In addition to the sound, Judas Priest are also known for being revolutionaries in heavy metal fashion. Rob Halford thus began incorporating a macho image of what today is known as hardcore metal/biker/S&M style into his look as early as 1978 (to coincide with the release of their album Killing Machine), and the rest of the band followed. It became a mainstay in heavy metal; soon, several other bands, particularly of the NWOBHM and early black metal movements, began incorporating Halford's fashion into their look as well. This sparked a revival in metal in the early '80s, and catapulted them to fame, in both the mainstream and underground. Even in the present, it is not uncommon to find metal artists sporting such a look at concerts.

   Their popularity and status as one of the exemplary and influential heavy metal bands has earned them the nickname "Metal Gods" from their song of the same name.


Band members:

Current:
  • Ian Hill – bass (1970–present)
  • Rob Halford – lead vocals (1973–1992, 2003–present)
  • Glenn Tipton – lead guitars, rhythm guitars, keyboards, synthesizer (1974–present)
  • Scott Travis – drums, percussion (1989–present)
  • Richie Faulkner – lead guitars, rhythm guitars (2011–present)
Former:

  • K. K. Downing – lead guitars, rhythm guitars (1970–2011)
  • Al Atkins – lead vocals (1970–1973)
  • John Ellis – drums, percussion (1970–1971)
  • Alan Moore – drums, percussion (1971–1972, 1975–1976)
  • Chris Campbell – drums, percussion (1972–1973)
  • John Hinch – drums, percussion (1973–1975)
  • Simon Phillips – drums, percussion (1977)
  • Les Binks – drums, percussion (1977–1979)
  • Dave Holland – drums, percussion (1979–1989)
  • Tim "Ripper" Owens – lead vocals (1996–2003)
Session musicians:

  • Don Airey – keyboards, synthesizer on Painkiller (1990 – track "A Touch of Evil"), Demolition (2001 – multiple tracks), Angel of Retribution (2005 – multiple tracks), Nostradamus (2008 – multiple tracks)
  • Jeff Martin – backing vocals on Turbo (1986 – track "Wild Nights, Hot & Crazy Days")
  • Tom Allom – milk and beer bottle smashing on British Steel (1980 – track "Breaking the Law")
Discography:

ROCKA ROLLA
(1974)

   Rocka Rolla is the debut album by the British heavy metal group Judas Priest, released in 1974. It was produced by Rodger Bain, who had made a name for himself as the producer of Black Sabbath's first three albums.

   According to the band, the album was entirely played "live", in studio (i.e. all musicians playing simultaneously as in a concert, vs. the more popular method of each musician's parts being recorded separately and then mixing them).

   According to the band there were technical problems in the studio, resulting in poor sound quality and a hiss through the album. The band further claims that the producer had too much control over track selection, and omitted their more popular stage classics- in particular, "Tyrant", "Genocide" and "Victim of Changes". These songs were eventually included on their next album. In addition, the songs "Winter", "Deep Freeze", and "Winter Retreat" form a suite, however they are listed as separate tracks and divided as such on the CD release.

   The song "Dying to Meet You" contains a clear break before an unlisted song (often known as "Hero Hero") begins. It may be possible that the record company insisted on there being ten tracks on the album which led to this decision. Alternatively, this unlisted song may simply be the second half of "Dying to Meet You", as this is how the lyrics were printed on their 1978 "Best of..." compilation.

   Many of the songs were written before Rob Halford joined the band. The track "Caviar and Meths" was originally a 14-minute epic penned by Halford's predecessor, Al Atkins, but due to time constraints, only the intro is recorded for the album. A longer version of the song appears on original vocalist Al Atkins's 1998 album Victim of Changes. Though not the full-length version, it is notably longer at seven minutes. The album also contains covers of the songs "Winter" and "Never Satisfied".

   At this point of the band's career, they had not yet developed their signature look of leather and studs. They had appeared on a British television programme called The Old Grey Whistle Test in 1975, performing "Rocka Rolla" and "Dreamer Deceiver", and their wardrobe was very "hippified" as journalist Malcolm Dome put it. This footage was included on the "Electric Eye" DVD. In addition, the album has some slight progressive rock influences that would continue through to Stained Class, but to a lesser extent, and would be abandoned in later releases.

   Drummer John Hinch would be dismissed in 1975, before the next record was to begin being recorded, for what Glenn Tipton would later call him being "musically inadequate".

   The album was reissued in 1987 with a different cover. The original album cover, by John Pasche, had been meant for a Rolling Stones album. There are also rumours that the Coca Cola Company brought legal pressure because the original album art too closely resembled their most famous brand. The re-issue cover art (by artist Melvyn Grant, and originally used as the cover for the novel The Steel Tsar) was also used for the US cover of Ballistix for the Turbo Grafx 16 and Commodore Amiga. The band, apparently, considers the "bottle cap" cover to be the official one, as it is the one that appeared on video screens during performances of Never Satisfied on the Epitaph tour.

   Since the album was released during the period when K.K. Downing was the band's frontman, this remains the only album on which he is the primary songwriter. On future albums, songs were usually written by Halford, Downing and Tipton, most songs being written by either two or all three of them. This is also one of the only two albums where bassist Ian Hill got a songwriter credit, for the tracks "Winter" and "Caviar and Meths". He would later help write the track "Invader" on the group's fourth studio album Stained Class.

   Most of the songs from Rocka Rolla have not been performed by Judas Priest live since the mid-late 1970s, although Rob Halford's solo band performed "Never Satisfied" during live shows in 2003, and the same song is part of the setlist of the Epitaph World Tour.

SAD WINGS OF DESTINY
(1976)

   Sad Wings of Destiny is the second album by the British heavy metal group Judas Priest, released in 1976.

   The cover art for the album, titled Fallen Angels, was illustrated by Patrick Woodroffe. It is best known for introducing the pitchfork-like symbol known as "the Devil's tuning fork", as worn by the angel.

   Sad Wings of Destiny was Judas Priest's second and final studio record made while under contract with Gull Records, an independent UK company. Despite critical acclaim, the band was struggling financially due to lack of support from the label. Shortly after changing management, the band severed their ties with Gull and signed with Columbia Records. Consequently, Judas Priest lost all rights to the recordings on their first two albums and to all demo recordings made during the sessions while under contract with Gull. Sad Wings of Destiny was initially published and distributed by Janus Records in the United States.

   Whilst the band lost the rights to recording royalties, they obtained copyright ownership of the songs themselves, many of which became staples for their live shows. "Victim of Changes", "The Ripper", "Tyrant" and "Genocide" appear on Judas Priest Unleashed in the East, a live album released by CBS in 1979. "Diamonds and Rust", a Joan Baez song originally recorded for Sad Wings, but omitted from the final album, was re-recorded for Sin After Sin, their first CBS release, and also on Unleashed. Gull later released the band's original recording of "Diamonds and Rust" on a 'best of' album and their rerelease of Rocka Rolla.

   The track "Genocide" mentions the title of the next album, Sin After Sin, in the middle of the song. Glenn Tipton's piano playing features prominently on Sad Wings of Destiny, especially on "Epitaph," a song that features no guitar.

   The tracks "Victim of Changes" and "Dreamer Deceiver" were co-written by vocalist Al Atkins, who fronted the band in the early 1970s before being replaced by Rob Halford.

   In 2012, "Sad Wings of Destiny" and "Rocka Rolla" were remastered for the first time.

SIN AFTER SIN
(1977)

   Sin After Sin is the third album by British heavy metal group Judas Priest, released in 1977. It was the band's first album on Columbia Records after their contract with Gull Records was terminated, as a consequence of which they lost all rights to Rocka Rolla and Sad Wings of Destiny, and any other demo recordings made during the production of the two albums. The album features session drummer Simon Phillips, as the band had recently parted ways with drummer Alan Moore.

   In 1988, the band Slayer covered the song "Dissident Aggressor" on their South of Heaven album. Arch Enemy covered the song "Starbreaker", which was eventually released as a bonus track on the Wages of Sin album. Devin Townsend (Strapping Young Lad) covered "Sinner" which can be found on Tribute to Judas Priest Album.

STAINED CLASS
(1978)

   Stained Class is the fourth album by British heavy metal group Judas Priest, released in February 1978. A popular album in the band's catalogue, Stained Class showcased a more streamlined songwriting style. The production is crisper, clearer, and cleaner than any of their preceding albums. This is the only Judas Priest album to feature songwriting by all five members (one of Ian Hill's few contributions to the songwriting process for the band, and the sole contribution thereof by then-drummer Les Binks – the guitar riff for "Beyond the Realms of Death"). Following this album the band broke its songwriting team down to Rob Halford, K.K. Downing and Glenn Tipton, with occasional contributions solely by Tipton.

   The sleeve artwork, by Roslav Szaybo at CBS Records, introduced their classic logo, replacing the Gothic Script logo of earlier releases. Stained Class was highly influential in the development of the speed metal subgenre and was the first Judas Priest album to dent the Billboard 200. The album was remastered in 2001, with two bonus tracks added. In 2004, UK magazine Metal Hammer named Stained Class the heaviest metal album of all time.

   Stained Class received unfortunate negative attention due to the infamous and bizarre 1990 civil action brought against the band by the family of a teenager, James Vance, who entered a suicide pact with his friend Ray Belknap after listening to "Better By You, Better Than Me" on 23 December 1985. Belknap succeeded in killing himself, and Vance was left horribly disfigured. The suit alleged that the band recorded subliminal messages on the song that said "do it." The suit was eventually dismissed. The song was originally written and performed by the band Spooky Tooth, and the lyrics are about a person who's upset at the world's current state and is leaving his lover to try to change things by joining the war effort.

KILLING MACHINE
(1978)

   Killing Machine is the fifth studio album by British heavy metal band Judas Priest, released in November 1978. The album saw Judas Priest head towards a more commercial style; however it did still contain the dark lyrical themes as heard in their previous albums. At about the same time, the band members adopted their now-famous "leather-and-studs" image. Killing Machine was retitled Hell Bent for Leather for US release, as the US branch of Columbia/CBS did not like the "murderous implications" of the album title. "The Green Manalishi (With the Two-Pronged Crown)" an early Fleetwood Mac cover, was added to the running order in the US.

   The album was remastered in 2001, with two bonus tracks added (three in the UK). The bonus track "Fight for Your Life" was the "original" version of Judas Priest's "Rock Hard Ride Free" from their Defenders of the Faith album. "The Green Manalishi (With the Two-Pronged Crown)" is considered a bonus track on the UK remaster, but a regular track on the US version.

   In 2010, audiophile label Audio Fidelity released a limited-edition 24-karat gold CD of the album. Mastering was done by Steve Hoffman. This does not contain the bonus tracks from the 2001 edition.

   This is the first Judas Priest album where Glenn Tipton incorporated the guitar technique of tapping into his soloing style. This is also the final album for drummer Les Binks who had joined the band in late 1977 for the recording of Stained Class, he is credited with helping develop the traditional Priest percussive sound.

BRITISH STEEL
(1980)

   British Steel is the sixth album by the British heavy metal band Judas Priest, released on 14 April 1980. It saw the band reprise the commercial sound they had established on Killing Machine however; this time, they abandoned many of the dark lyrical themes which had been prominent on their previous releases. British Steel was recorded at Tittenhurst Park, home of former Beatle Ringo Starr, after a false start at Startling Studios, a recording studio located on Tittenhurst's grounds. Digital sampling was not yet widely available at the time of recording, so the band used analog recording of smashing milk bottles to be included in "Breaking the Law", as well as various sounds in "Metal Gods" produced by billiard cues and trays of cutlery. It was released in the UK at a discount price of £3.99, with the advertisements in the music press bearing the legend "British Steal". Songs "Breaking the Law", "United", and "Living After Midnight" were released as singles, while the track "Metal Gods" earned the band members their moniker.

   British Steel is also Judas Priest's first album to feature songwriting for all songs by only current members of the band at the time. Rocka Rolla and Sad Wings of Destiny featured songwriting by Al Atkins. Sin After Sin inclues a cover of Joan Baez's Diamonds & Rust. Stained Class has a cover of Spooky Tooth's Better By You, Better Than Me. Killing Machine features a cover of Fleetwood Mac's The Green Manalishi.

   The album was remastered in 2001, with two bonus tracks added. Bonus track "Red, White, and Blue" was written in the earlier years of Priest's career. It was recorded at Compass Point Studios in Nassau in July 1985. The second bonus track, a live performance of "Grinder", was recorded on 5 May 1984, in Los Angeles during the Defenders of the Faith tour. The first album to feature drummer Dave Holland.

   In 2009 Judas Priest kicked off their 30th anniversary tour in the US by playing the entire album live for the first time. The only other Judas Priest albums of which all the songs have been performed live are Defenders of the Faith and Rocka Rolla, but neither of them were played in the original LP running order or during the same tour.

   Anthrax guitar player Scott Ian said in an interview in the documentary Heavy Metal: Louder than Life that British Steel was probably the album that really defined heavy metal, because, according to him, it did away with the "last shards of blues" that had otherwise been characteristic of the genre. He said, "Even the title... how does it get more metal than that?"

   The 30th anniversary release of the album came with a DVD and CD of a live show recorded on 17 August 2009 at the Seminole Hard Rock Arena in Hollywood, Florida as part of the British Steel 30th Anniversary tour. The live versions of all the British Steel tracks from this release were also made available as downloadable content for the Rock Band video game series beginning 11 May 2010.

POINT OF ENTRY
(1981)

Point of Entry is the seventh album from the British heavy metal band Judas Priest. It was released on 26 February 1981.

In 1980 Judas Priest garnered some airplay with "Breaking the Law" and "Living After Midnight" from their album British Steel. As a result the band pursued a more radio friendly direction on Point of Entry.

In the booklet of the Remastered CD, the band states:

"Recorded on the island of Ibiza with multiple distractions, glorious sunshine, and extremely low cost alcohol, this album was regarded with mixed feelings because it was different from what people expected. The album was nearly all spontaneously written and performed in Ibiza - it was an experiment in the sense that before this we had already written the majority of the songs before going into the studio."

Three singles were released from the album: "Heading Out to the Highway", "Don't Go" and "Hot Rockin' ", all of which had accompanying music videos. The song "Heading Out to the Highway" has been a staple in live shows since its release, and "Hot Rockin' " is still performed today. On the 2005 "Re-united" tour they also played "Solar Angels"; on rare occasions: on the World Wide Blitz Tour of 1981 (supporting Point of Entry), this was the opening song on every show.

The album was remastered in 2001, with two bonus tracks added, a live version of "Desert Plains" and "Thunder Road", a track from the Ram It Down sessions.

The US cover differed from the rest of the world, this being repeated with the remaster. The US artwork featured computer printer paper to simulate the line in the middle of the road, and white cardboard boxes on the back.

SCREAMING FOR VENGEANCE
(1982)


   Screaming for Vengeance is the eighth studio album by British heavy metal band Judas Priest. It was recorded at Ibiza Sound Studios, Ibiza, Spain and mixed at Beejay Recording Studios and Bayshore Recording Studios in Coconut Grove, Florida. It was first released on 17 July 1982. A remastered CD was released in May 2001.

   "From an unknown land and through distant skies came a winged warrior. Nothing remained sacred, no one was safe from the Hellion as it uttered its battle cry...Screaming for Vengeance."
-- Album back cover

   The album reached No. 11 in the UK and No. 17 on Billboard 200 Pop Albums and made Judas Priest much more popular than they were after their British Steel album. It went gold (RIAA) on 29 October 1982, platinum on 18 April 1983 and 2x platinum on 16 October 2001, being their first studio album to achieve the two latter awards. This album also includes their hit "You've Got Another Thing Comin'" and one of their most-popular on-stage performances, "Electric Eye".

   The band wrote about the bonus track "Prisoner of Your Eyes" in the remaster booklet as follows:

   "This is one of two versions of this particular song – the second version having a different chorus. The majority of this track is still as it was put down at the time but with lead breaks from Glenn and K.K. added at a later date. It's very emotional and epitomises the light and shade style of Judas Priest which is the trademark of the band."

   The album came 15th on IGN's 25 most influential metal albums. Screaming for Vengeance also came 10th on Metal-Rules.com's 100 greatest metal albums. Kerrang! magazine listed the album at No. 46 among the "100 Greatest Heavy Metal Albums of All Time".

   During the U.S. tour to support the album in 1982, Judas Priest were supported by bands such as Iron Maiden, Krokus, and Uriah Heep (in support of their album Abominog).

   This album was the first entire album released as downloadable content for the video games Rock Band and Rock Band 2.

   The title song "Screaming for Vengeance" was played on the main site for the video game Brütal Legend. Rob Halford plays both a villain in the game (named General Lionwhyte) and a heroic character called the Fire Baron.

DEFENDERS OF THE FAITH
(1984)

   Defenders of the Faith is the ninth studio album by British heavy metal band Judas Priest. It was recorded at Ibiza Sound Studios, Ibiza, Spain and mixed from September to November 1983 at DB Recording Studios and Bayshore Recording Studios in Coconut Grove, Miami, Florida. The LP and cassette tape were released on 4 January 1984 and later appeared on CD in July. A remastered CD was released in May 2001. Three tracks were released as singles: "Freewheel Burning", "Some Heads Are Gonna Roll" and "Love Bites".

   "Rising from darkness where Hell hath no mercy and the screams for vengeance echo on forever. Only those who keep the faith shall escape the wrath of the Metallian... Master of all metal."
-- Album back cover

   The cover art by Doug Johnson (who also designed the Hellion in Screaming for Vengeance) depicts the Metallian, a ram-horned, tiger-like land assault creature with Gatling guns and tank tracks conceptualized by the band.

   "Eat Me Alive" was listed at #3 on the Parents Music Resource Center's "Filthy Fifteen", a list of 15 songs the organization found most objectionable. PMRC co-founder Tipper Gore stated the song was about oral sex at gunpoint. In response to the allegations, Priest recorded the song "Parental Guidance" on the follow-up album Turbo. Defenders of the Faith is a guitar-related section in Guitar World Magazine in which Guitar World readers are shown along with personal information. This is referred to as "Defending the Faith".

   On the tour for this album, the band had played every song live, with the exception of "Eat Me Alive". On the tour for the Nostradamus album, in 2008, the band played many songs which had never been played live before, one of them being "Eat Me Alive". This made Defenders of the Faith the only Judas Priest album from which every song had been played live (other than the first LP Rocka Rolla), until the 2009 tour where British Steel was performed in full, in order.

   "The Sentinel" was covered by Machine Head for the special edition version of their 2011 album Unto the Locust.

TURBO
(1986)

   Turbo is the 10th studio album by British heavy metal band Judas Priest, recorded in June – November, 1985, at Compass Point Studios in Nassau, Bahamas and mixed in January and February, 1986, at Record Plant Studios in Los Angeles, California. Turbo was first released by Columbia on April 15, 1986. A remastered CD was released in 2002, adding two bonus tracks. The album marked the band's first use of guitar synthesizers.

RAM IT DOWN
(1988)

   Ram It Down is the eleventh studio album by Judas Priest, released in 1988 through Columbia Records; a remastered edition containing two bonus tracks was reissued in 2001. The album earned gold certification (500,000 sales) on July 18, 1988. The band toured in Europe and North America to support the release of the album.

   In 1986, Judas Priest intended to record a double album called Twin Turbos of which half would be lighter, more commercial rock, and the other half would be similarly polished but heavier and less synth-driven. As it happened, record labels being notoriously timid about double albums, the project was split into two releases, with the heavier Twin Turbos material being relegated to this later album. While it largely failed to capture the metal public's approval, elements such as the more technical drumming, high speeds, and sci-fi themes prefigured their return-to-form classic, Painkiller. A drum machine was used at some parts because of Dave Holland's health problems. Judas Priest had also done a rendition of Chuck Berry's "Johnny B. Goode" for the movie Johnny Be Good, which was the only single from this album. This would be the final album involving long-time drummer Dave Holland and producer Tom Allom. Allom would later return as co-producer to the 2009 live release A Touch of Evil: Live.

   The epic song "Blood Red Skies" has been described by Glenn Tipton as "Victim of Changes model 1988". The song was never performed live until the "Epitaph" world tour of 2011, where it was included in the setlist.

PAINKILLER
(1990)

   Painkiller is a 1990 gold-certified album by British heavy metal band Judas Priest, their 12th studio album. The album was recorded at Miraval Studios, Brignoles, France in early 1990, and mixed at Wisseloord Studios, Hilversum, the Netherlands later that year. It was the first album with current drummer Scott Travis, who was recruited from the band Saints Or Sinners. The original LP, cassette and CD versions were released on 3 September 1990. A re-mastered CD was released in May 2001. The album received a Grammy nomination for Best Metal Performance at the 20 February 1991 33rd Annual Grammy Awards.

   Following the tour for this album, singer Rob Halford left the band in May 1992 and maintained little contact with his former bandmates throughout the 1990s. The reason for this was the growing tension within the band. Halford wanted to create his new band, Fight, and had to legally leave Judas Priest to allow his creation to be sold. Judas Priest declared that they did not exist anymore after Halford had left. However, the band would re-vamp, record, and tour several years later, with new singer Tim 'Ripper' Owens, on the albums Jugulator and Demolition.

JUGULATOR
(1997)

   Jugulator is the 13th studio album by British heavy metal band Judas Priest. It was released in Japan on October 16, 1997 and the rest of the world on October 28, 1997. It was the first of two studio albums featuring vocalist Tim 'Ripper' Owens. The lyrics dealt with harsher themes than previous releases, including the eponymous mechanized beast which disembowels its prey, and the end of the world in the song "Cathedral Spires". The guitars were also tuned down as low as C# and C.

   The entire album seems to describe the end of the world, from the coming of the Jugulator ("Jugulator") to the actual ending of it ("Cathedral Spires"). The Jugulator itself seems to be a metaphor for the evil that is done in the world. Songs like "Dead Meat", "Decapitate" and "Burn in Hell" all describe the evils that humans do. In the end, the evil deeds are so great in number that it consumes and destroys the world.

   Reaction to the album was roughly divided among those who enjoyed the album on its own terms, those who liked the music but preferred that Rob Halford would sing it, and those who disliked it on all counts. Glenn Tipton defended the musical changes: "You must remember that two albums went missing between 1990 and "Jugulator". To us, it's not the huge leap some people see it as". However, "Bullet Train" and "Cathedral Spires" are generally regarded as classics, even by some critics who disliked the rest of the album.

   A music video was put into circulation for the song "Burn in Hell", though over 2 minutes of the song was removed in the final video. "Jugulator" and "Blood Stained" were also included on Judas Priest's box set Metalogy.

   Bullet Train was nominated for a Grammy Award for Best Metal Performance in 1998 but lost to Metallica's "Better than You".

DEMOLITION
(2001)

   Demolition is British heavy metal band Judas Priest's fourteenth studio album, and the first in the decade of the 2000s. It is the second and final studio album to feature Tim 'Ripper' Owens on vocals, and also one of the few albums to feature a Parental Advisory label. Following the lukewarm-to-decent reception to Jugulator, the band scrambled to assess what exactly went wrong and determined that fans preferred a sound more faithful to Priest's back catalogue. The resulting album would be an amalgam of Jugulator-style riffs, references to 80s Priest, and sporadic nu-metal additions such as quasi-rapping, samples, and industrial-style beats. While the ostensible aim was to offer something for every possible fan, in the end, the album received a much poorer reception than Jugulator by most fans and would result in the eventual reunion of the classic lineup.

   The songs "Machine Man" and "Feed on Me" were included in Judas Priest's box set Metalogy.

   The album was produced by guitarist Glenn Tipton, who also took over as the primary songwriter with this album. For a long time, the band's main songwriting team had consisted of Rob Halford, K.K. Downing and Tipton. However, after Halford departed from the band, Downing and Tipton went on to write all the songs on Jugulator. On this album, many of the songs were written solely by Tipton, with contributions from Downing on several songs. Former producer Chris Tsangarides, who co-wrote the song "A Touch of Evil" on the Painkiller album, also assisted Tipton in the writing of a few songs. Even drummer Scott Travis co-wrote the track "Cyberface", marking his first and only contribution to songwriting in the band's history (former drummer Les Binks was the only other Judas Priest drummer to co-write a song). This was also the first album since Painkiller to feature a guest appearance by keyboardist Don Airey, who had previously played on "A Touch of Evil".

ANGEL OF RETRIBUTION
(2005)

   Angel of Retribution is the 15th studio album by British heavy metal band Judas Priest, released in 2005. It marks the return of Rob Halford, after a 12 year departure from the band. The album debuted at #13 on the U.S. Billboard chart, which made it the second highest chart of a Judas Priest album (only before Nostradamus). It also marked the first time Judas Priest have been the number 1 artist on a national chart (in Greece). The album was produced by Roy Z, who co-wrote the song "Deal with the Devil".

   Within the album, nods to the sound of past albums and songs are found, as well as lyrics that apparently reference earlier songs. The song "Demonizer" references both "The Hellion" from Screaming for Vengeance as well as "Painkiller" from the eponymous album. "Hellrider" mentions "Ram It Down" off the same-titled album, and "Tyrant" from Sad Wings of Destiny. "Eulogy" references "Stained Class" and "The Sentinel" from the albums Stained Class and Defenders of the Faith, respectively. Finally, "Worth Fighting For" acts as a sequel/prequel to "Desert Plains" from Point of Entry.

   The song "Deal With the Devil" can be viewed as a autobiography of Judas Priest, telling their origins from the Black Country of England's West Midlands, mentioning their transitory days gigging around England and practicing at the Church of Holy Joseph in Walsall, which is where Judas Priest was effectively born. "Deal With the Devil" also mentions the song "Blood Red Skies" from Ram it Down.

   The album was released on the DualDisc format, which had traditional CD content on one side, and DVD content on the other side. The DVD side of this album contained a documentary entitled "Reunited", as well as the entire album in an enhanced audio format.

NOSTRADAMUS
(2008)

   Nostradamus is a concept album by English heavy metal band Judas Priest, focusing on the 16th century prophet Nostradamus. The band's first concept album, it was originally intended to be released in late 2006 before being pushed back to a 2007 release, and was finally released in June 2008 on Epic Records. It is the band's 16th studio album, and the last to feature K.K. Downing, who retired three years later.

   Judas Priest toured with Motörhead, Heaven & Hell, and Testament on the Metal Masters Tour to promote Nostradamus. The band also performed a world tour in 2008 and 2009 in support of the album.

   Guitarist K. K. Downing revealed in a February 2007 interview with Brave Words & Bloody Knuckles that 18 tracks had been recorded with a total length of more than 90 minutes and that there was not much he would like to cut down. Musically, the album contains symphonic orchestrations including the use of keyboards and choirs which is unlike anything the band has previously attempted. In November 2007, the band began mixing the album.

   Nostradamus centres on the life and times of the seer. The first disc details various forecasts he has about the future and the end of the world. This leads to him being exiled. Later on, after his death, the world realizes just how right he was.

And now new and old fans enjoy the true form of metal:

Slayer

SLAYER


   Slayer is an American thrash metal band formed in Huntington Park, California, in 1981 by guitarists Jeff Hanneman and Kerry King. Slayer rose to fame with their 1986 release, Reign in Blood, and is credited as one of the "Big Four" thrash metal acts, along with Metallica, Megadeth and Anthrax. Their album Reign in Blood is considered to be the foundation and inspiration of death metal.

   Slayer's musical traits involve fast tremolo picking, double bass drumming, and shouted (or chanted) vocals. Hanneman, King, and bassist/lead vocalist Tom Araya, contribute to the band's lyrics. King and Hanneman create and arrange the music with additional arrangement from drummer Dave Lombardo and sometimes Araya. The band's lyrics and album art, which cover topics such as serial killers, Satanism, religion and warfare, have generated album bans, delays, lawsuits and strong criticism from religious groups and the public.

   Since their debut album in 1983, the band has released two live albums, one box set, six videos, two extended plays, and eleven studio albums, four (Reign in Blood, South of Heaven, Seasons in the Abyss, and Divine Intervention in 1986, 1988, 1990, and 1994 respectively) of which have received gold certification in the United States. The band has received five Grammy nominations, winning two of them; one in 2007 for the song "Eyes of the Insane", and one in 2008 for the song "Final Six" (both from 2006's Christ Illusion). Slayer has played music festivals worldwide, including Unholy Alliance, Download, and Ozzfest. As of November 2011, Slayer has begun writing their next album.


   Slayer was founded in 1981, when guitarist Kerry King met Jeff Hanneman while auditioning for a band. They recruited Chilean bassist and vocalist Tom Araya, who had played with King before in the band Quits (previously known as Tradewinds). Drummer Dave Lombardo was recruited when he met King while delivering a pizza. The band played cover versions of Iron Maiden and Judas Priest songs at clubs and parties in Southern California. Early shows relied on a Satanic image, which featured pentagrams, make-up, spikes, and inverted crosses. Rumors that the band was originally known as Dragonslayer, after the 1981 movie of the same name, were denied by King, as he stated, "We never were; it's a myth to this day."

   The band was invited to open for Bitch at the Woodstock Club in Los Angeles, performing eight songs — six being covers. While playing Iron Maiden's "Phantom of the Opera" the band was spotted by Brian Slagel, a former music journalist who had, at the time, recently founded the label Metal Blade Records. Impressed with Slayer's performance, Slagel met with the band backstage and asked them to record an original song, "Aggressive Perfector" ( sample (help·info)), for his upcoming Metal Massacre III compilation. The band agreed and the song created underground "buzz", which led to Slagel offering the band a recording contract with Metal Blade.

Band members:

Current:

  • Tom Araya – lead vocals, bass guitar (1981–present)
  • Jeff Hanneman – guitars (1981–present)
  • Kerry King – guitars (1981–present)
  • Dave Lombardo – drums (1981–1986, 1987–1992, 2001–present)
Touring:

  • Gary Holt – guitars (2011)
  • Pat O'Brien – guitars (2011)
Former:

  • Tony Scaglione – drums (1986–1987)
  • Paul Bostaph – drums (1992–1996, 1997–2001)
  • Jon Dette – drums (1996–1997)
Discography:

SHOW NO MERCY
(1983)

   Show No Mercy is the debut album by American thrash metal band Slayer, released in December 1983 through Metal Blade Records. Brian Slagel signed the band to Metal Blade after watching the band perform the song "Phantom of the Opera" by Iron Maiden. The band was forced to self-finance their debut album, combining the savings of vocalist Tom Araya, who was employed as a respiratory therapist, and money borrowed from guitarist Kerry King's father.

   Touring extensively promoting the album, the band brought close friends and family members along the trip, who helped backstage with lighting and sound. Although criticized for poor production quality, it became Metal Blade Records highest selling release, also producing the songs "Die by the Sword", "The Antichrist" and "Black Magic", which are played at Slayer's live shows regularly.

   Although the band did not have enough time to sell any records while touring, the album became Metal Blade Records' highest selling release. Five thousand copies was the label's average. Show No Mercy went on to sell over 15,500 to 20,000 copies in the United States; it also went on to sell over 15,000 overseas, as Metal Blade had worldwide rights. The success of the album led to Slagel wanting the band to release a new record and an extended play.

HELL AWAITS
(1985)

   Hell Awaits is the second studio album by the American thrash metal band Slayer, released through Metal Blade Records in 1985. The band's previous release, Show No Mercy, became Metal Blade Records' highest selling release; as a result, producer Brian Slagel desired to release a second Slayer album. To that end, Slagel financed a recording budget (Show No Mercy was paid for by band members) and recruited several experienced producers to help in the studio.

   Lyrical themes on Hell Awaits are darker than on Show No Mercy, and included hell and Satan. The intro of the first track "Hell Awaits" played backwards reveals the repeated phrase "join us". Musically, the album features the band's most progressive and diverse work compared to their previous releases, and according to Kerry King, he and Jeff Hanneman were very into Mercyful Fate at the time, which then led to the longer and more progressive songs. Defined as "influential to future extreme metal acts," the most popular songs from Hell Awaits were re-recorded by various underground metal bands and have appeared on several tribute albums. Musicians such as singer Phil Anselmo and drummer Gene Hoglan cite Hell Awaits as an influence.

   To promote Hell Awaits, Slayer embarked on the Combat Tour with Venom and Exodus. Exodus guitarist Gary Holt commented, "We immediately bonded with the Slayer guys. It was two bands of friends playing with one band of heroes, you know? We were just star-struck."

   Inside Venom's tour bus (the first time Slayer had been in one) the band members got drunk with Venom, while listening to Hell Awaits. Araya entered the bus "hammered out of his mind," according to Lombardo, saying "I gotta take a piss! Where’s the bathroom in this thing?" Venom singer Conrad "Cronos" Lant responded, saying "Right here—right here in my mouth!" Araya took him literally and urinated on his hair. Cronos got up and punched him in the face, the two blamed each other all night, and Araya continued the tour with a black eye.

REIGN IN BLOOD
(1986)

   Reign in Blood is the third studio album and the major label debut by the American thrash metal band Slayer. It was released on October 7, 1986 through Def Jam Recordings. The album was the band's first collaboration with record producer Rick Rubin, whose input helped the band's sound evolve. Reign in Blood was universally well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Kerrang! magazine described the record as "the heaviest album of all time," and a breakthrough in thrash metal and speed metal. Alongside Metallica's Master of Puppets, Anthrax's Among the Living and Megadeth's Peace Sells... but Who's Buying?, Reign in Blood is considered by critics one of the most influential heavy metal albums of all time, thrash metal in particular.

   Reign in Blood's release was delayed because of concerns regarding its graphic artwork and lyrical subject matter. The opening track, "Angel of Death", which refers to Josef Mengele and describes acts, such as human experimentation, that Mengele committed at the Auschwitz concentration camp, provoked allegations of Nazism. However, the band stated numerous times they do not condone Nazism, and are merely interested in the subject. The album was Slayer's first to enter the Billboard 200; the release peaked at number 94, and was certified Gold on November 20, 1992.

   Slayer embarked on the Reign in Pain tour with the bands Overkill in the United States and Malice in Europe; they also served as the opening act for W.A.S.P.'s US tour in 1987. After a month of touring drummer Lombardo quit the band; he said, "I wasn't making any money. I think I had just gotten married, and I figured if we were gonna be doing this professionally—on a major label—I wanted my rent and utilities paid." To continue the tour Slayer enlisted Whiplash drummer Tony Scaglione.

   Rubin called Lombardo daily to insist he return, telling him, "Dude, you gotta come back in the band." Rubin offered Lombardo a salary, but he was still hesitant about returning; at this point Lombardo had been out of the band for several months. Lombardo's wife convinced him to return in 1987; Rubin came to his house and picked him up in his Porsche, taking him to a Slayer rehearsal.

SOUTH OF HEAVEN
(1988)

   South of Heaven is the fourth studio album by American thrash metal band Slayer. Released on July 5, 1988, the album was the band's second collaboration with record producer Rick Rubin, whose production skills on Slayer's previous album Reign in Blood had helped the band's sound evolve.

   South of Heaven was Slayer's second album to enter the Billboard 200, and its last to be released by Def Jam Recordings, although the album became an American Recordings album after Rick Rubin ended his partnership with Russell Simmons. It was one of only two Def Jam titles to be distributed by Geffen Records through Warner Bros. Records because of original distributor Columbia Records's refusal to release work by the band. The release peaked at number 57 and in 1992 was awarded a gold certification by the Recording Industry Association of America. In order to offset the pace of the group's previous album, Slayer deliberately slowed down the album's tempo. In contrast to their previous albums, the band utilized undistorted guitars and toned-down vocals. While some critics praised this musical change, others—more accustomed to the style of earlier releases—were disappointed. Despite this, the songs "Mandatory Suicide" and the title track became permanent features of the band's live setlist.

   Artist Larry Carroll designed the cover artwork for South of Heaven, having designed the artwork for Slayer's previous album Reign in Blood. Photographer Glen E. Friedman took the promotional shot which surfaced as the back cover of South of Heaven around the time of 1986's Reign in Blood. Lombardo felt it made Slayer seem as though they "had matured a little bit", while Friedman himself deemed it "a really cool back cover" and "one of the most classic shots of them [Slayer] ever."

SEASONS IN THE ABYSS
(1990)

   Seasons in the Abyss is the fifth studio album by the thrash metal band Slayer. It was released on October 9, 1990 through Def American Records, and later through American Recordings after the company changed its name. The album's recording sessions began in January 1990. The sessions began at Hit City West, Hollywood Sound, and in June, the sessions ended at Record Plant in Los Angeles, California.

   The musical style of the album is similar and was compared by critics to the band's previous two albums: South of Heaven and Reign In Blood. The album's reception was generally positive, with Allmusic rewarding the album with a rating of four and a half out of five stars and Entertainment Weekly gave the album a B+. It peaked number 18 in the United Kingdom and also charted on the Billboard 200 at number 40. It was certified gold in both the United States and Canada.

DIVINE INTERVENTION
(1994)

   Divine Intervention is the sixth studio album by American thrash metal band Slayer. Released on September 27, 1994 through American Recordings, it was their first album featuring Paul Bostaph, replacing the band's original drummer Dave Lombardo. Several of the songs on the album were inspired by television shows. The production posed as a challenge to the record company, as its marketing situation drew arguments over the album's explicitness. The band used the Decade of Aggression live album to give them time to decide the album's style. Since it was released nearly four years after Seasons in the Abyss, vocalist Tom Araya said that there was more time spent on production compared to the band's previous albums. The cover was painted and designed by Wes Benscoter.

   Even though so much time was spent on production, Kerry King said that the mixing and mastering should have had more attention. The song's origins not only come from television, but were also inspired by various other things, including Rush Limbaugh, serial killer Jeffrey Dahmer, and Araya's wife. Araya concluded that the album "came out of the past four years of hating life."

   The album received mixed reviews by critics, with Allmusic giving it three out of five stars, and The Deseret News giving it a positive review. The album sold 193,000 copies in its first week, and on April 30, 2002, Nielsen SoundScan reported that it had sold over 3,405,092 copies. It peaked number eight on the Billboard 200 and charted at number 15 on UK Albums Chart. It was rewarded a Gold in the United States and in Canada. An extended play entitled Serenity in Murder was released shortly after the album.

   The album was issued in a clear jewel box with a die-cut cardboard O-card. It included sixteen pages, which fold out to be a poster, which displays the cover art. Both the disc and the disc tray feature — as described by Chris Morris — an "image reflective of the mania displayed by the group's fans. and exemplary of American frequently deployed shock tactics: a kid carving the band's name into his arms with a scalpel." The front cover was painted and designed by Wes Benscoter, an American artist who would later paint the covers for the other Slayer releases Undisputed Attitude and Live Intrusion. Mike Bone from American Recordings said that "we captured this not only by photography, but with video — him actually doing it." The album sleeve features for the first time the backronym Satan Laughs As You Eternally Rot.

UNDISPUTED ATTITUDE
(1996)

   Undisputed Attitude is the seventh studio album by American thrash metal band Slayer. The album is a collection of punk covers of bands like Minor Threat, T.S.O.L., D.R.I. and The Stooges. Guitarist Jeff Hanneman used two of the four punk songs he had written in 1984 and 1985 as part of a side project called Pap Smear, while King and vocalist Tom Araya wrote an original song titled "Gemini".

   Released on May 28, 1996 through American Recordings, Undisputed Attitude peaked at number 34 on the Billboard 200.

   Undisputed Attitude was released on May 28, 1996, and peaked at number 34 on the Billboard 200 album chart. Paul Kott of Allmusic commented that "Undisputed Attitude, while not perfect, is a fitting tribute to the bands that inspired Slayer to break from the traditional metal mold." Sandy Masuo of Rolling Stone reasoned; "some punk purists will undoubtedly cry foul, but when the dust settles it's hard to argue with Slayer's metal." Entertainment Weekly's Chuck Eddy dubbed Slayer's cover interpretations "generic hardcore-punk", and observed that the group "seem to think that playing as fast and rigidly as possible makes for harder rock -- but it's just lazy shtick".

   Reviewing 2003 Slayer box set Soundtrack to the Apocalypse, Adrien Begrand of PopMatters dismissed the effort as "easily the weakest album in the Slayer catalogue", while Westword Online's Michael Roberts dubbed the record their "biggest mistake." Araya has since stated that he "knew it wouldn't do very well, people want to hear Slayer! The real die-hards picked up on it and that was expected."

DIABOLUS IN MUSICA
(1998)

   Diabolus in Musica is the eighth studio album by American thrash metal band Slayer. Released on June 9, 1998, it is the third studio album to feature drummer Paul Bostaph. Although receiving mixed critical reviews, the album sold 46,000 copies in its first week to peak at number 31 on the Billboard 200.

   Guitarist Jeff Hanneman wrote most of the album's content which has been described as Slayer's most experimental album. It is the band's first studio album to be played mostly in C# tuning. The album's title is a Latin term for "The Devil in Music", a musical interval known for its dissonance. Lyrical themes explored on the album include religion, deviants, death, maniacs, war, and serial killers.

GOD HATES US ALL
(2001)

   God Hates Us All is the ninth studio album by American thrash metal band Slayer. Released on September 11, 2001, the album received positive critical reviews, although it entered the Billboard 200 at number 28. It was recorded in three months at The Warehouse Studio in Canada, and includes the Grammy Award-nominated "Disciple". The album is the band's last to feature drummer Paul Bostaph.

   Guitarist Kerry King wrote the majority of the lyrics, taking a different approach from earlier recordings by exploring topics such as religion, murder, revenge and self-control. Limiting the lyrics to subject matter most could relate to, King wanted to tackle realistic themes. The band experimented; recording most of the album in C# tuning, with three songs in drop B, while two others were played with seven-string guitars in B♭. The album's release was delayed due to the explicit cover artwork -which led to alternative slip covers in some retail outlets- difficulties during audio mixing, and a change of distributor by the band's record label during the release period.

CHRIST ILLUSION
(2006)

   Christ Illusion is the tenth studio album by the American thrash metal band Slayer. Released on August 8, 2006, the album received generally favorable critical reviews, and it entered the Billboard 200 at number 5—the band's highest U.S. chart position to date. Christ Illusion includes the Grammy Award-winning songs "Eyes of the Insane" and "Final Six", and is the band's first studio album to feature original drummer Dave Lombardo since 1990's Seasons in the Abyss.

   Depicting a mutilated Christ painted by longtime collaborator Larry Carroll, the album's graphic artwork courted controversy. An alternative cover was issued to conservative retailers who felt uncomfortable with the original. Lyrical themes, particularly in the song "Jihad" which describes the September 11 attacks from a terrorist perspective. A Mumbai-based Christian group, the Catholic Secular Forum, was outraged by this and thus demanded a recall. As a result, all Indian stocks of the album were recalled and destroyed by EMI India.

WORLD PAINTED BLOOD
(2009)

   World Painted Blood is the eleventh studio album by American thrash metal band Slayer. It was released through American Recordings and Sony Music on November 3, 2009 and was produced by Greg Fidelman and executively produced by Rick Rubin. It is the band's only album produced by Greg Fidelman. With much anticipation for the album after 2006's Christ Illusion, members of Slayer were revealing information about the album since early 2009. There were four different artworks released for the album, each which completed one-fourth of a map, that when put together, illustrates the earth painted with red. There are eleven tracks on the album, with origins illustrating death and destruction, war, serial killers, and the Apocalypse. It is the band's first studio album to be played in E-flat tuning since Divine Intervention.

   Three singles were released from the album: "Psychopathy Red", "Hate Worldwide", and "World Painted Blood". "Psychopathy Red" leaked onto the internet over a year before its release, and was released as a seven–inch single on April 18, 2009. The album received generally positive reviews from music critics. It was praised by The A.V. Club, who said that the "resounding success in that regard: It's eclectic, but never self-consciously so." "Hate Worldwide" and "World Painted Blood" were both nominated for Best Metal Performance at the 53rd Grammy Awards, and the album peaked at number two on the US Top Hard Rock Albums chart, as well as twelve on the Billboard 200 and forty-one on the United Kingdom album chart.

   In June 2009, it was announced that the album would be released in the late summer of 2009. The album was released on November 3, 2009. The album's artwork was revealed on September 15, 2009. Four different covers were equally shipped for a standard that when put together, they create a world map covered in blood. The album has four special collector's edition CD covers, and each of them "display one-fourth of a provocative continental map illustrated with human skulls and bones; when placed together, the four images form a complete and grisly map of the world." Each album has a blood-red, transparent top panel, with the map displayed beneath it. The full map is also seen in a sleeve of the double-digipak edition of World Painted Blood.

And now it's time for some real metal:

Sunday, 4 March 2012

Iron Maiden


IRON MAIDEN


   Iron Maiden are an English heavy metal band from Leyton in east London, formed in 1975 by bassist and primary songwriter Steve Harris. Since their inception, the band's discography has grown to include a total of thirty-eight albums: fifteen studio albums; ten live albums; four EPs; and seven compilations.

   Pioneers of the New Wave of British Heavy Metal, Iron Maiden achieved success during the early 1980s. After several line-up changes, the band went on to release a series of U.S. and UK platinum and gold albums, including 1982's The Number of the Beast, 1983's Piece of Mind, 1984's Powerslave, 1985's live release Live After Death, 1986's Somewhere in Time and 1988's Seventh Son of a Seventh Son. Since the return of lead vocalist Bruce Dickinson and guitarist Adrian Smith in 1999, the band have undergone a resurgence in popularity, with their latest studio offering, The Final Frontier, peaking at No. 1 in 28 different countries and receiving widespread critical acclaim.

   Considered one of the most successful heavy metal bands in history, Iron Maiden have reportedly sold over 85 million records worldwide with little radio or television support. The band won the Ivor Novello Award for international achievement in 2002, and were also inducted into the Hollywood RockWalk in Sunset Boulevard, Los Angeles, California during their United States tour in 2005. As of August 2011, the band have played almost 2000 live shows throughout their career.

   For the past 30 years, the band have been supported by their famous mascot, "Eddie", who has appeared on almost all of their album and single covers, as well as in their live shows.


   Returning from their time off, the band adopted a different style for their 1986 studio album, entitled Somewhere in Time, featuring, for the first time in the band's history, synthesised bass and guitars to add textures and layers to the sound. The release charted well across the world, particularly with the single "Wasted Years," but notably included no writing credits from lead singer Bruce Dickinson, whose material was rejected by the rest of the band.


   The experimentation evident on Somewhere in Time continued on their next album, entitled Seventh Son of a Seventh Son, which was released in 1988. A concept album, based on The Tales of Alvin Maker series of novels by Orson Scott Card, this would be the band's first record to include keyboards, as opposed to guitar synthesisers on the previous release. After his contributions were not used for Somewhere in Time, Dickinson's enthusiasm was renewed as his ideas were accepted for this album. Another popular release, it became Iron Maiden's second album to hit No. 1 in the UK charts, although it only achieved a Gold certification in the U.S, in contrast to its four predecessors.

   During the following tour, the band headlined the Monsters of Rock festival at Donington Park for the first time on 20 August 1988, playing to the largest crowd in the festival's history (107,000). Also included on the bill were Kiss, David Lee Roth, Megadeth, Guns N' Roses and Helloween. The festival was marred, however, by the deaths of two fans in a crowd-surge during the aforementioned Guns N' Roses performance; the following year's festival was cancelled as a result. The tour concluded with several headline shows in the UK in November and December 1988, with the concerts at the NEC Arena, Birmingham recorded for a live video, entitled Maiden England.

   According to Guitar World Iron Maiden's sound has "influenced generations of newer metal acts, from legends like Metallica to current stars like Avenged Sevenfold," with Metallica drummer Lars Ulrich commenting that he has "always had an incredible amount of respect and admiration for them." Kerry King of Slayer has stated that "they meant so much to me in their early days" and Scott Ian of Anthrax says that "they had a major impact on my life." M. Shadows of Avenged Sevenfold states that Iron Maiden "are by far the best live band in the world and their music is timeless," while Trivium singer Matt Heafy comments that "without Iron Maiden, Trivium surely wouldn't exist." Slipknot frontman Corey Taylor says that "Steve Harris does more with four fingers than I've ever seen anybody do. And Bruce Dickinson? Dude! To me, he was the quintessential old-school heavy metal singer. He could hit notes that were just sick, and he was a great showman. Everything made me a fan. And there wasn't a dude that I hung out with that wasn't trying to draw Eddie on their schoolbooks," while their music also helped Jesper Strömblad of In Flames to pioneer the melodic death metal genre, stating that he had wanted to combine death metal with Iron Maiden's melodic guitar sounds.


   Other heavy metal artists who cite the band as an influence include Chris Jericho, WWE wrestler and lead singer of Fozzy, and Cam Pipes of 3 Inches of Blood. On top of this, however, pop artist Lady Gaga has cited Iron Maiden as her favourite band, saying that "their fans live, breathe and die for Maiden, and that is my dream. Maiden changed my life."

   In 1982, the band released one of their most popular, controversial and acclaimed albums, The Number of the Beast. The artwork and title track led to Christian groups in the United States branding the band as Satanists, encouraging people to destroy copies of the release. The band's manager, Rod Smallwood, later commented that Christians initially burnt the records, but later decided to destroy them with hammers through fear of breathing in the melting vinyl's fumes. The claims were not restricted to the United States, however, with the Catholic Church managing to prevent Iron Maiden from performing in Chile in 1992.

   Contrary to the accusations, the band have always denied the notion that they are Satanists, with lead vocalist, Bruce Dickinson, doing so on-stage in the Live After Death concert video. Steve Harris has since commented that, "It was mad. They completely got the wrong end of the stick. They obviously hadn't read the lyrics. They just wanted to believe all that rubbish about us being Satanists." Harris has also stated that "The Number of the Beast" was inspired by a nightmare he had after watching Damien: Omen II, and also influenced by Robert Burns' Tam o' Shanter. Furthermore the band's drummer, Nicko McBrain, has been a born again Christian since 1999.

Band members:

Current members:
  • Steve Harris – bass, backing vocals (1975–present)
  • Dave Murray – lead & rhythm guitars (1976–1977, 1978–present)
  • Adrian Smith – lead & rhythm guitars, backing vocals (1980–1990, 1999–present)
  • Bruce Dickinson – lead vocals (1981–1993, 1999–present)
  • Nicko McBrain – drums, percussion (1982–present)
  • Janick Gers – lead & rhythm guitars (1990–present)
Live members:
  • Michael Kenney – keyboards, synthesiser (1988–present)
Former members:
  • Paul Day – lead vocals (1975–1976)
  • Ron "Rebel" Matthews – drums (1975–1977)
  • Terry Rance – guitars (1975–1976)
  • Dave Sullivan – guitars (1975–1976)
  • Dennis Wilcock – lead vocals (1976–1978)
  • Bob Sawyer – guitars (1977)
  • Terry Wapram – guitars (1977–1978)
  • Tony Moore – keyboards (1977)
  • Thunderstick – drums, percussion (1977)
  • Doug Sampson – drums, percussion (1977–1979)
  • Paul Di'Anno – lead vocals (1978–1981)
  • Paul Cairns – guitars (1979)
  • Paul Todd – guitars (1979)
  • Tony Parsons -guitars (1979)
  • Dennis Stratton – guitars, backing vocals (1979–1980)
  • Clive Burr – drums, percussion (1979–1982)
  • Blaze Bayley – lead vocals (1994–1999)
Discography:

IRON MAIDEN
(1980)

   Iron Maiden, released on 14 April 1980, is the debut album by the British heavy metal band Iron Maiden. It was released by EMI in the UK, reaching number 4 in the UK charts, and a few months later in the U.S., originally on Harvest/Capitol Records and subsequently Sanctuary Records/Columbia Records. The U.S. release also included the song "Sanctuary", only released in the UK as a single. In 1998, along with the rest of the band's pre-X Factor releases, Iron Maiden was remastered with "Sanctuary" added in all territories.

   Although Iron Maiden have since criticised the quality of the album's production, the release was met with critical and commercial acclaim, debuting at No. 4 in the UK Albums Chart as well as achieving prominence for the band in mainland Europe.

   When first issued in 1980, the album received immediate critical acclaim, with Geoff Barton, reviewing the album in Sounds, writing, "Heavy metal for the '80s, its blinding speed and rampant ferocity making most plastic heavy rock tracks from the '60s and '70s sound sloth-like and funeral-dirgey by comparison."

   Since its release, Iron Maiden has continued to receive praise from reviewers, with Allmusic describing it as "a landmark" as well as "no better place to hear how both punk and prog rock informed the New Wave of British Heavy Metal." In addition, Sputnikmusic describes it as "one of the top debut albums in the world of heavy metal," containing "the raw, aggressive power [which] defines the early years of the band."

   Iron Maiden is one of two Iron Maiden albums listed in 1001 Albums You Must Hear Before You Die (The Number of the Beast is the other).

KILLERS
(1981)

   Killers is the second album by British heavy metal band Iron Maiden, released on 2 February 1981 in the UK, and 6 June 1981 in the U.S. The album was their first with guitarist Adrian Smith and their last with vocalist Paul Di'Anno, who was sacked after problems with his stage performance arose due to his alcohol and cocaine use. This was also the first Iron Maiden album made with veteran producer Martin Birch, who went on to produce their next eight albums before retiring after Fear of the Dark in 1992.

   The song "Wrathchild" is the only regularly played track from the album, appearing in almost all their concert tours. The song was covered in 2005 by female tribute band "The Iron Maidens" on their 2007 album Route 666 and again in 2008 by Gallows on the tribute CD Maiden Heaven: A Tribute to Iron Maiden released by Kerrang! magazine. "Wrathchild" was also featured in the PlayStation 2 game Guitar Hero Encore: Rocks the 80s.

   Killers is the only Iron Maiden album to feature two instrumentals and was written almost exclusively by Steve Harris, with only minor assistance from the rest of the band (the title track and "Twilight Zone" being the only other songs to receive additional writing credits). Each song, with the exception of "Murders in the Rue Morgue," based on the story of the same name by Edgar Allan Poe, and "Prodigal Son," had been written in the years prior to the recording of their debut album, although none were recorded professionally until the Killers sessions, apart from "Wrathchild" (an early version of which featured on the Metal for Muthas compilation).

   The U.S. edition, which came out a few months after it did in the UK, was initially released on Harvest Records/Capitol Records and subsequently on Sanctuary Records/Columbia Records. "Twilight Zone" was also added to the album.

   The Killer World Tour was the tour in support of the album and would feature the band's earliest shows in the US, the first being at The Aladdin Casino, Las Vegas in support of Judas Priest.


THE NUMBER OF THE BEAST
(1982)

   The Number of the Beast is the third studio album by the British heavy metal band Iron Maiden, released in March 1982. The album saw the debut of vocalist Bruce Dickinson, and the final appearance of drummer Clive Burr in the band.

   The Number of the Beast met with considerable critical and commercial success and was a landmark release for the band, becoming their first album to reach No. 1 in the UK singles chart, and be certified platinum in the US. The album also produced the singles "Run to the Hills" and "The Number of the Beast", the former of which was the band's first top-10 UK single. The album was also controversial – particularly in the US – due to the religious nature of its lyrics and its artwork.

   Since the release of The Number of the Beast and its subsequent tour, The Beast on the Road, "The Beast" has become an alternate name for Iron Maiden, and was later used in the titles of some of their compilations and live releases, including Best of the Beast and Visions of the Beast.

   Like all of Iron Maiden's album artwork during the 1980s and early 90s, it was painted by Derek Riggs. The cover was originally created for the song "Purgatory", but Rod Smallwood deemed it of too high a calibre for a single release and decided to save it for The Number of the Beast album instead. The original 1982 artwork includes a light blue sky in the background; this was a mistake by the printers of the album cover, and was later rectified and became black when the album was remastered for compact disc in 1998.

   The album was also the centre of controversy, particularly in America, due to the lyrics of the title track and the cover art depicting Eddie controlling Satan like a puppet, while Satan is also controlling a smaller Eddie. Smallwood explains that the concept was to ask "who's the really evil one here? Who's manipulating who?"

   The album's cover art has been parodied several times — by crossover thrash band Stormtroopers of Death for the cover art of their 1999 album Bigger than the Devil, and on a T-shirt by Streetwear brand Diamond Supply Co.

   The Number of the Beast was a commercial success, selling 14 million copies worldwide. It was the band's first record to top the UK charts, entering the Top 40 directly at No. 1 on 10 April, maintaining the top position for a further week, and then remaining in the Top 75 for a total of 31 weeks. It entered the Billboard 200 at No. 150 and went on to peak at No. 33. In addition, the album reached the Top 10 in Austria and Sweden, and No. 11 and 13 in Canada and Norway, respectively.

   It was awarded platinum by the British Phonographic Industry (BPI), and received a gold certification by the Recording Industry Association of America (RIAA) on 4 October 1983 (eventually going platinum in 1986). Although the album failed to chart in Germany, it was certified gold ten years later, and it received a 3× platinum award in Canada for sales exceeding 300,000 units.

   The two singles, "Run to the Hills" and the title track, debuted in the UK single charts at No. 7 and No. 18, respectively. Both songs entered the Irish Singles Chart in the same order, and reached No. 16 and 19.


PIECE OF MIND
(1983)

   Piece of Mind is the fourth studio album by British heavy metal band Iron Maiden. It was originally released in 1983 (see 1983 in music) on EMI, and on Capitol in the US; it was reissued later on Sanctuary/Columbia Records. It was the first album to feature drummer Nicko McBrain, who had recently left the Paris-based band Trust and has been Iron Maiden's drummer ever since.

   The album ranked 21 on IGN's list of the top 25 metal albums.

   In 1983, Kerrang! magazine published a poll of the greatest metal albums of all time, with Piece of Mind ranking number 1, and with The Number of the Beast at number 2.


   At the beginning of the sixth track, "Still Life", the band included a hidden message which could only be understood by playing the album backwards. This was a joke and an intended swing back at the critics who had accused Iron Maiden of being Satanic. The backwards-message features Nicko McBrain mimicking Idi Amin (or rather mimicking John Bird mimicking Idi Amin) uttering the following phrase "What ho said the t'ing with the three 'bonce', do not meddle with things you don't understand...", followed by a belch. The phrase itself is taken from the satirical album The Collected Broadcasts of Idi Amin by Bird and Alan Coren. "What ho" and "What ho said the t'ing" are phrases that also crop up regularly on McBrain's "Listen With Nicko!" tracks from The First Ten Years collection.

   According to McBrain, "We were sick and tired of being labelled as Devil worshippers and all this bollocks by these fucking morons in the States, so we thought, 'Right, you want to take the piss? We'll show you how to take the bleeding piss, my son!' And one of the boys taped me in the middle of this Idi Amin routine I used to do when I'd had a few drinks. I remember it distinctly ended with the words, 'Don't meddle wid t'ings yo don't understand.' We thought, if people were going to be stupid about this sort of thing, we might as well give them something to be really stupid about, you know?"

POWERSLAVE
(1984)

   Powerslave is the fifth studio album by the English heavy metal band Iron Maiden, released on 3 September 1984 on EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 2002).

   It is notable for its Ancient Egyptian theme displayed in the cover artwork, lifted from the title track, which was carried over to the album's supporting tour. The World Slavery Tour began in Warsaw, Poland on 9 August 1984, and is widely regarded as being the band's longest and most arduous to date, as well as leading to the live album Live After Death.

   The release also contains a musical re-telling of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner", which uses pieces of the original poem as lyrics and is, furthermore, Iron Maiden's longest song to date (at 13 minutes and 42 seconds in length).

   Powerslave is also notable as being the band's first album to feature the same lineup as the previous one, which would remain intact for two further studio releases.

   "2 Minutes to Midnight" and "Aces High" were released as singles.

SOMEWHERE IN TIME
(1986)

   Somewhere in Time is the sixth studio album by British heavy metal band Iron Maiden, released on 29 September 1986 on EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 1998). The studio follow-up to the hugely successful Powerslave/Live After Death pair, it was the first Iron Maiden album to feature guitar synthesizers.

   Since its release, it has been certified platinum by the RIAA, having sold over 1,000,000 copies in the US alone.

   Somewhere On Tour was the release's supporting tour.

SEVENTH SON OF A SEVENTH SON
(1988)

   Seventh Son of a Seventh Son is the seventh studio album by British heavy metal band Iron Maiden, released in 1988 by EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 2002).

   It is the first Iron Maiden release to feature keyboards (played by Michael Kenney) and, along with The Number of the Beast and, later, Fear of the Dark and The Final Frontier, debuted at No. 1 in the UK charts. It also marks the first appearance of many progressive rock elements, particularly seen in the length and odd-time signatures of the title track "Seventh Son of a Seventh Son," and by the fact that it is a concept album.

NO PRAYER FOR THE DYING
(1990)

   No Prayer for the Dying is the eighth studio album by the British heavy metal band Iron Maiden. The record marks the band's first line-up change since 1983; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, Tattooed Millionaire, and had also worked with Ian Gillan and New Wave of British Heavy Metal band, White Spirit.

   No Prayer for the Dying was the first album not to feature a wrap-around cover since 1983's Piece of Mind. It also does not follow the continuity of previous album covers, as Eddie no longer exhibits either his lobotomy or cyborg enhancements.

   Two versions of the cover exist. The original 1990 version has Eddie bursting from his grave and grabbing a grave-digger by the neck. As the band's manager, Rod Smallwood, disliked the figure, he asked artist Derek Riggs to remove him from the cover for the 1998 re-release, although the original artwork is used on the disc itself. Additionally an inscription was added to the plaque on the tomb, which Riggs had initially left blank to allow the band to add their own words, and reads "After the Daylight, The Night of Pain, That is not Dead, Which Can Rise Again." The picture disc LP shows Eddie firing a weapon made of four machine guns (a reference to the album's opening track, "Tailgunner"). It has the original cover on side 2.

   Reviews for the album were generally poor, with Allmusic commenting that "the songwriting wasn't up to snuff when compared to such classics as Killers or Number of the Beast" and "as a whole doesn't measure up to the hits." Sputnikmusic were equally negative, stating that "No Prayer for the Dying is a plain, listless record that never really gets itself going."

FEAR OF THE DARK
(1992)

   Fear of the Dark is the ninth studio album released by British heavy metal band Iron Maiden. Released on 11 May 1992, it was their third studio release to top the UK albums chart and the last to feature Bruce Dickinson as lead vocalist until his return in 1999.

   It was the final Iron Maiden album to be produced by Martin Birch, who retired shortly after its release.

   Reviews for the album were mixed, with Allmusic commenting that, while "easily an improvement over 1990's lackluster No Prayer for the Dying (both musically and sonically)," the release "still wasn't quite on par with their exceptional work from the '80s." Sputnikmusic were more positive about the release, stating that "though many of the songs are still sub-par by their standards... the band returns to the lofty heights that they enjoyed for the entirety of the 80's." Billboard had a positive reception upon release, saying Dickinson's voice "shows no sign of wear and tear" and the guitar work "sounds fresh and crisp".

   In October 2011, Fear of the Dark was ranked number 8 on Guitar World magazine's top ten list of guitar albums of 1992.

   Fear of the Dark became the third Iron Maiden album to top the UK Albums Chart. It is the band's most successful record in North America after the inception of Nielsen SoundScan in 1991, with 438,000 copies sold as of 2008.

THE X FACTOR
(1995)

   The X Factor is the tenth studio album by Iron Maiden, released in 1995. It is the band's first album to include Blaze Bayley, formerly of Wolfsbane, as vocalist, replacing Bruce Dickinson who left the band following their previous tour to pursue a solo career. It is considered Iron Maiden's darkest album due to the lyrics being based on personal issues surrounding Steve Harris at the time, who was in the midst of a divorce and the death of his father, and the album cover, which depicts the band's mascot, Eddie, being graphically mutilated through surgery.

   "Man on the Edge" and "Lord of the Flies" were released as singles. Both of these songs, and "Sign of the Cross," remained in Maiden set lists following Bruce Dickinson's return. Live versions of these songs can be found on the single for "The Wicker Man" and the live albums Death on the Road and Rock in Rio respectively.

   "The Edge of Darkness" is based on the 1979 film Apocalypse Now, adapted from Joseph Conrad's Heart of Darkness, "Man on the Edge" is based on the 1993 movie, Falling Down, and "Lord of the Flies" is based on the novel of the same name. "Sign of the Cross" is based on the Umberto Eco's novel The Name of the Rose and is Iron Maiden's second longest song at more than 11 minutes long, the longest being "Rime of the Ancient Mariner" at 13 minutes (from Powerslave). Live versions of "Blood on the World's Hands" and "The Aftermath" can be found in Best of the 'B' Sides compilation album.

   Blaze Bayley recorded a re-arranged version of "Sign of the Cross" on the live album As Live As It Gets.

   Initially, The X Factor was met with lukewarm responses from critics. Allmusic rated the album two stars out of five, stating that "suffering from a lack of powerful riffs and tightly written songs, The X Factor is a lackluster latter-day album from Iron Maiden. Although the band doesn't sound particularly bad on the record, they don't sound inspired and there's a noticeable lack of energy to the performances which makes the lack of imagination all the more apparent."

   Sputnikmusic were somewhat more positive about the release, deeming the album "a change for Iron Maiden, and a very important one at that" as it "paved the way for future albums of similar length." They also praised the "often criticized" Blaze Bayley, whose voice they claimed "was perfect for the new release."

VIRTUAL XI
(1988)

   Virtual XI (pronounced: Virtual Eleven) is the eleventh studio album by British heavy metal band Iron Maiden, released on 23 March 1998. It was the second and final Iron Maiden album recorded with vocalist Blaze Bayley.

   Virtual XI was met with mixed reviews from critics. Allmusic commented that "on the surface, there's nothing terribly wrong with the record, as it delivers all the crunching riffs and demonic horror of their best records. The problem is that there's nothing memorable about the hooks, riffs, or songs, and there's little visceral energy to the music or production. As a result, it sounds lifeless to all but the most devoted fan." They also stated that Blaze Bayley is "a competent but faceless vocalist."

   Sputnikmusic were more positive towards the album, claiming that it "has a few gems, such as Futureal, The Clansman, and Como Estais Amigos", but is "very repetitive, and listening to it takes a lot of patience."

BRAVE NEW WORLD
(2000)

   Brave New World is the twelfth studio album by British heavy metal band Iron Maiden, released on 29 May 2000. It was their first studio release since the return of longtime lead singer Bruce Dickinson (who left in 1993) and guitarist Adrian Smith (who left in 1990) in 1999, as well as the band's first studio recording with their current three guitar line-up, as Janick Gers remained with the band.

   The album art and title song are references to the novel of the same name, written by Aldous Huxley. The upper half of the artwork was created by Derek Riggs, with the bottom half by digital artist Steve Stone.

   The songs "The Wicker Man" and "Out of the Silent Planet" were both released as singles. "The Wicker Man"'s promotional radio release featured extra vocals in the chorus, not present in any other versions of the song.

   The Brave New World Tour was the tour in support of the album, during which the show at Rock in Rio was recorded and later released as a live album and video.

   Brave New World peaked at No. 7 in the UK Albums Chart, and has since been certified Gold. In the United States, it debuted at No. 39 in Billboard 200, and registered over 307,000 sales on the Nielsen SoundScan system in 2008.

DANCE OF DEATH
(2003)

   Dance of Death is the thirteenth studio album by British heavy metal band Iron Maiden, released first in Japan on 2 September and then on 8 September 2003 in the rest of the world excluding North America (where it was released a day later). The album was recorded on magnetic (analogue) tape.

   Reviews for the album were generally positive with Kerrang! describing it as "stupendous stuff and concrete proof that Maiden are as electrifying and important as they have been in a long time." Sputnikmusic were also positive about the album, giving special mention to "Paschendale", described as "quite easily the ultimate Maiden masterpiece." Although describing the first three songs as "refreshing yet unremarkable", Allmusic describes Dance of Death as "a triumphant return to form for these heavy metal legends."

   Although criticising the album for its length and for not "matching the quality" of its predecessor, 2000s Brave New World, PopMatters praises the band for being able to "still easily outclass most of the younger nu-metal bands today."

A MATTER OF LIFE AND DEATH
(2006)

   A Matter of Life and Death is the fourteenth studio album by British heavy metal band Iron Maiden. It was released on 25 August 2006 in Italy and Finland, and 28 August worldwide, excluding the United States, Canada and Japan on 5 September 2006. It is the first album in Iron Maiden's career to enter the U.S. Billboard charts in the top 10, achieving significant chart success in many other countries as well.

   Whilst not being a concept album, war and religion are recurring themes throughout, as well as in the cover artwork.

   The A Matter of Life and Death Tour was the tour in support of the album.

   The first single to be released from the album was "The Reincarnation of Benjamin Breeg", released on 14 August 2006. On 10 August, "Different World" was made available for public streaming on the band's website, as was "Brighter than a Thousand Suns" the following day.

   "Different World" was the second single, receiving airplay on many rock radio stations. The song also features an animated video, similar to that of "Wildest Dreams".

   An update on Iron Maiden's official website stated that "in just the first week the new album has shipped over a million copies worldwide and impacted on the charts pretty well everywhere in the world". The album marked Iron Maiden's first album to place in the top ten in the Billboard 200, reportedly selling 56,000 units in its first week. Debuting at number four, it was the highest-charting rock album ever in India, until their 15th studio album, The Final Frontier, which debuted at number one. The album went gold in Finland in its first week. This gold record became the band's 8th from Finland.

THE FINAL FRONTIER
(2010)

   The Final Frontier is the fifteenth studio album by British heavy metal band Iron Maiden, released on 13 August 2010 in Germany, Austria and Finland, 17 August in North America, and 16 August worldwide. At 76 minutes and 35 seconds, it is the band's longest to date and their first since A Matter of Life and Death in 2006 (the longest gap to date between two consecutive Iron Maiden studio releases). Melvyn Grant, a long-time contributor to the band's artwork, created the cover art.

   A critical and commercial success, the album received largely favourable reviews from critics and peaked at No. 1 in 28 countries worldwide. This included the United Kingdom, where it became the band's fourth release to top the UK Albums Chart following 1982's The Number of the Beast, 1988's Seventh Son of a Seventh Son and 1992's Fear of the Dark. On top of this, The Final Frontier also charted at No. 4 in the Unites States, marking their highest placement on the Billboard 200, in addition to gaining the band their first Grammy award in the Best Metal Performance category for the song "El Dorado", released as a free download on 8 June 2010.

   EMI released the album in most of the world, while in the United States and Canada it was released jointly by Universal Music Enterprises and Sony Music Entertainment - the successor to the Sanctuary Records/Columbia Records joint venture that had previously controlled the Iron Maiden catalogue in North America.

   Throughout The Final Frontier World Tour, Bruce Dickinson often requested that fans put the album to No. 1 in the respective country's music charts, which it did in 28 countries worldwide. It is the first Iron Maiden release to debut at No. 1 in the United Kingdom charts since 1992's Fear of the Dark, having sold 44,385 copies in its first week. In addition, The Final Frontier debuted at No. 4 in the Billboard 200 with 63,000 units sold, the highest position the band has ever reached in the United States.

   By the end of its first week, over 800,000 copies had been shipped to retailers worldwide. The album's overall chart success arguably makes it the band's most triumphant release to date.


And now all you crazy fans "UP THE IRONS":